Koch, Joseph Anton

Austrian Painter, 1768-1839 Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes.


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Koch, Joseph Anton The Monastery of St. Francis in Sabine Hills oil


The Monastery of St. Francis in Sabine Hills
Painting ID::  19113
The Monastery of St. Francis in Sabine Hills
Rome, oil on panel, The Hermitage, St. Petersburg
Rome,_oil_on_panel,_The_Hermitage,_St._Petersburg
   
   
     

Koch, Joseph Anton The Schmadribach Falls oil


The Schmadribach Falls
Painting ID::  44063
The Schmadribach Falls
1821-22 Oil on canvas, 132 x 110 cm
1821-22_ Oil_on_canvas,_ 132_x_110_cm
   
   
     

Koch, Joseph Anton Heroische Landschaft mit dem Regenbogen oil


Heroische Landschaft mit dem Regenbogen
Painting ID::  70684
Heroische Landschaft mit dem Regenbogen
Dimensions Expression error: Missing operand for *118 ?? 114 cm
   
   
     

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     Koch, Joseph Anton
     Austrian Painter, 1768-1839 Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes.

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